Man on the Run: Paul McCartney in the 1970s by Tom Doyle
My rating: 4 of 5 stars
Man on the Run is an interesting biography of Paul McCartney and his family during the 1970s, as well as his band, Wings (one of my favorite bands of that decade). It is a long, thorough look at the good, bad, and ugly and pulls no punches, even while it clearly sympathizes with McCartney.
The book begins with the messy breakup of the Beatles, centering around the very public feud between Paul and John, which was part of the impetus for Paul’s decision to legally file to dissolve the Beatles. However, the legal ramifications showed that there were financial problems for the group and led to even more, thus sending Paul into a spiral of depression that led to he and his wife, Linda, to move to a farm in Scotland, out of the spotlight. During this period, he also lost a great deal of his confidence he had had in his abilities as a musician, as well as his own identity. Thankfully, Linda helped him through this crisis. Without her devoted love, who knows what would have happened to Paul?
The McCartney family became hippies and lived the hippy lifestyle, but Paul missed being in a band and missed touring, something he had tried to talk the Beatles into doing again and which they had refused to do. So he decided to start his own band – Wings. I didn’t know this, but there were actually three incarnations of Wings, three different bands over the years, all with Paul and Linda in them. And they were all comprised largely of studio musicians, mostly unknown. In my opinion, it’s frankly amazing Wings achieved the success and prominence they did with such an unassuming group of musicians. They obviously did this only with Paul’s leadership and drive.
However, first Paul put out a couple of solo albums, although one was credited to both he and his wife. They were all largely critical failures. The first Wings group met, practiced, and put out Wild Life in 1971. I don’t actually recall how it initially did, but ultimately it reached number 11 in the UK and number 10 in the US. Indeed, Paul’s first “hit” was a political song called “Give Ireland Back to the Irish,” a song that was banned by the BBC. A 1972 non-hit was actually “Mary Had a Little Lamb, literally, which left both his band and the critics confused. Not Paul’s best decision. In 1973, Red Rose Speedway was released. It ultimately hit number 5 in the UK and number 1 in the US. In late 1973, the band got its first big break with Band on the Run, which immediately hit number 1 in both the UK and the US (the previous two albums achieved high chart status over time, not immediately). Band on the Run turned Wings into instant stars. 1973-4 hits include “Jet,” “Let Me Roll It, “ “My Love,” a major song that hit number one in the US, “Helen Wheels,” “Junior’s Farm,” “Band on the Run,” a huge hit that got to number three in the UK and number one in the US, and “Live and Let Die,” a theme song to a new James Bond movie and one that hit number two in the US.
And on it continued. After starting its career playing impromptu college student union tours for something like 50 pounds, Wings were now doing international stadium tours. And Paul could finally gloat over John, who had been taunting Paul publicly for years, basically calling him a giant failure while John, of course, was a musical genius. Not anymore. While John turned out the occasional hit, Paul McCartney and Wings were international stars selling out stadiums with superstar hit albums, something John couldn’t say. Paul could, temporarily, put his demons behind him.
However, there was a problem. Pot. He and Linda loved their pot. They smoked a lot of it. And they got it shipped to whatever country they were visiting on their tours. And in one country, Finland?, they were caught and it made international headlines. Of course, it was hugely embarrassing, but the couple actually embraced the moment and came out in favor of pot use and said they were in favor of legalizing it. Later in his career, Paul would be arrested in Japan for possession and it could have been a very serious situation. You should read the book to find out what happened.
Meanwhile, there were band personnel changes. Paul was a cheapskate and while he raked in millions, he paid his band members practically nothing at all. Finally, these session musicians would get fed up and state that they could make more doing session work back in New York or London, so they’d leave. Paul never really got the hint. It’s a shame. Still, he continued to put out good albums and tour with his new musicians.
In 1975, Venus and Mars was released and would ultimately hit number one in both the UK and US. 1975 hits included “Venus and Mars/Rock Show” and “Listen to What the Man Said, “ which would hit number one in the US. In 1976, Wings released two albums: Wings at the Speed of Sound and a live album, Wings over America. Both hit number two in America. They contained “Silly Love Songs,” which hit number two in the UK and number one in the US and “Let ‘Em In,” which hit number two in the UK and number three in the US. In 1977, “Mull of Kintyre” was released, instantly a huge hit in the UK, remaining at number one longer than any other song in British history until that time, I believe. However, in America, it didn’t fare so well, just getting to number 33.
It was at this time that Wings peaked. Already there was a third group of musicians and maybe it was chemistry, maybe Paul was burned out from the nonstop, frantic pace of the decade, I don’t know, but the following two albums weren’t nearly as good as the preceding albums by most accounts. In 1978, London Town was released. It didn’t do as well. Only Paul, Linda, and the lead guitarist were on the album cover because those were the only people in the band. It actually happens to be one of my favorite albums of all time, because I was a youngish kid when it came out and it was one of the first albums I had and my best friend and I listened to it over and over while building model planes. I love that album, but most critics do not. It’s not considered one of the better Wings albums, but it did hit number four in the UK and number two in the US. There were three singles released from this album, but the only one that really charted high was “With a Little Luck,” one of my all time favorite songs, which hit number five in the UK and number one in the US. Wings’ last gasp in the studio came in 1979 with Back to the Egg. It hit number eight in the UK and number three in the US. Its’ biggest single was “Getting Closer,” which made it to number 60 in the UK and number 20 in the US. And aside from some more solo work over the years, Paul was done and Wings were definitely done as a group. It was the end of an era. A highly successful era, a great decade of music, one of my favorite groups, as I said. And while the rest of the Beatles went on to do solo work and while John achieved some success, clearly Paul McCartney ended up the most successful Beatle of them all, post-Beatles. The best musician, the one who taught John and George how to play, ended up teaching Linda and helping his studio musicians put out a series of commercially successful albums and successful world tours, something the other Beatles rarely, if ever, achieved.
John sniped at Paul throughout most of their post-Beatles lives and Paul, on occasion, sniped back. Paul never really understood where John’s hostility came from, his utter hatred. Paul tried to make peace a number of times. There were a few times John seemed to accept the olive branch, only to blindside Paul later with public attacks that hurt Paul deeply. Fortunately, some time before John’s premature death, they buried the hatchet and reconnected, so that’s a very good thing and even though the author implies John was the major one to start things between the two, he treats all of the Beatles with reasonable respect and points out Paul’s faults when necessary.
The author stresses certain things that are important to Paul, such as family. He brought his family on the road with him, kids included. This sometimes made his band members uncomfortable, as it limited their abilities to lead the stereotypical 1970s rock and roll lifestyle (i.e., groupies), and it led to tension, but Paul was dedicated to his wife and kids and that’s generally a good thing. He was the only Beatle to have a 100% successful marriage/relationship. That’s impressive. He was also committed to financial honesty, at least in his dealings with the Beatles and in management’s dealings with the band. He figured out quite quickly that the manager the other three had hired had been screwing the band out of millions while paying the band crap, so he sued – and won – and was vindicated in doing so. The only difficulty with his financial honesty was in his dealings with his band because he stuck with his commitment to pay his band members their agreed upon wages, but when they struck it rich with their new number one hits and their world tours, he wouldn’t share the riches and it was truly rather greedy of him, unfortunately. A McCartney wart.
This hardback I read isn’t long, just over 250 pages. However, it’s packed with so much information and trivia, it takes longer to get through than your average 250 page book. Still, it’s informative and exciting and exactly what I’ve been looking for. I know a lot about the Beatles. I know a lot about John during the 1970s. What I didn’t know was what happened to Paul during the 1970s and the story of Wings and I didn’t know a book like this existed. So I’m elated to have discovered it and read it. I learned a ton of new information, some good, some bad, but all fascinating, and it answers a lot of questions I had about these people, that band, and that decade. For anyone who’s a fan of McCartney and Wings, this is a must read for you. Even if you’re just a Beatles fan or a 1970s music buff, this will be a good read for you. Four stars and definitely recommended.
One thought on “A Review of Man on the Run”
I’ve always admired his dedication to his wife and children.
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