hankrules2011

A polymath rambling about virtually anything

Posts Tagged ‘magazines’

Have Some Caffeine!

Posted by Scott Holstad on April 2, 2022

I’ve been crazy busy the past five weeks and haven’t had a chance to get online very often, but one thing I’ve been able to make a little time for is finally unpacking some boxes that have been in storage for the past few (okay, many) years while trying to find old contributor copies of magazines and journals that published me, of copies of my OWN books, as well as anthologies and textbooks and more. The “More” has turned out to be a whopper, but I don’t have time for that at the moment and frankly I don’t have much time at all right now, but I’ve wanted to post something so I am. I’ve been running across items in these boxes that have been surprising in that some I don’t recall ever seeing before, writing, editing, collaborating, and on to finding opened and unopened letters from all types for all sorts of reasons, contracts, uncashed checks from universities and libraries for my books, pleas for me to help finance some arthouse films, screenplays with requests for comments and criticisms, art-postcards I literally don’t recall seeing and more! Fun and a little crazy.

I decided I’m going to post a few pics of things I find along the way, some of which I haven’t seen in decades, literally, and some I’ve never seen, or at least that’s what my imperfect mind tells me. Sadly, I don’t even have time for an appropriate explanation, so you’ll just have to take what you see in front of you and maybe a few words of mine too. Caffeine was one of the best, most hip/professional lit zines I’ve ever seen and it was dearly missed when the editor, Rob Cohen, decided it was time to move on. As you’ll see, he wrote that for a good part of the 1990s, it was the biggest damn poetry magazine in the country, and that’s not referring to its dimensions. It came out regularly and it came out it what would be massive press runs for a free lit zine — along the lines of 20,000 copies per issue or so. Compared to 250 – 500 copies for many university literary reviews, more for commercial ones.

I got to know Rob before he started this up. He was a pretty good guy. UCSB grad, big ambitions. We met for lunch in Long Beach one day and he told me he was lining up some heavyweights and wanted to go just as cool and edgy on the graphics as on the poetry, which was great to hear because he obviously knew that so many lit pubs out there may as well have been church bulletins or med textbooks in their eye appeal. And we were both big Bukowski fans. I can’t remember if he met him or not. I’d “known” Bukowski for several years by then, been over to his place in San Pedro a few times, had some books he’d been cool enough to autograph for me and one damn t-shirt which I haven’t been able to find for years. HTH to you lose an autographed Bukowski t-shirt? I thought Rob’s project was great and I asked if he was going to go out of SoCal and he did intend to so I asked him about writers — were they going to be SoCal largely or from a wider base? He did things big. I was able to help out a bit, I like to think. I knew a ton of poets and writers around the world, so he let me have a bunch of fliers and upcoming debut issues and I mailed them around the country, gratified to see Caffeine apparently appealed to a whole lot of people as I saw name after name appear of people who never might have seen, let alone been published, in it if not for landing on some doorsteps of people who then sent some on to more like-minded poets and lit fans. Rob was cool enough to publish me from the first issue on. That would be with Ginsberg and Bukowski, among many others, though admittedly I had been and would be published alongside them elsewhere during my career. Still, not only an honor, but a damn fun, kickass mag overall! I don’t recall if I ever had all of the issues, but it’s irrelevant because it’s been probably around 25 years since I’ve seen any anyway, so they’d all look new to me anyhow. So here are three collages I just made of items of mostly recent findings. I’ll let them speak for themselves. Except I didn’t know which poem of mind the person writing the editor in the Issue 9 collage was referring to. I was curious so I had to start digging. And then I found it! Not the issue, but at least the title of the poem. And then it all made sense. The “goddamn poem” she thought “was so true” was titled “to all you goddamn nature sissies.” Heh.


Caffeine Magazine was THE poetry magazine of the 1990s!
Caffeine Magazine was THE poetry magazine of the 1990s!


Caffeine Magazine Issue 4
Cover of Caffeine Magazine, Issue 4. A photo of Bukowski graces the cover with a list of some contributors headed by Scott Holstad


Caffeine Magazine Issue 9 with fan mail for Scott C. Holstad
Caffeine Magazine Issue 9 with fan mail for Scott C. Holstad

Next time I post here I may try to write about or possibly post pics of some of the letters, postcards, invites, etc., from the stuff I’ve been running across lately. Might be some fun stories behind them. Like when I was oddly named one of Knoxville’s 10 Most Eligible Bachelors back in 1987. I actually found the letter from the MDA thanking me for agreeing to be a part of the bachelor auction, formally called the Great Date Bachelor Auction. (I had no choice?) Terrifying then, funny now. I guess the word “flattering” should have appeared somewhere. It didn’t. Or invites to some swank Beverly Hills and Hollywood gigs. You couldn’t tell by the invites, but trust me, when you’re wandering around in someone’s backyard behind the Beverly Hilton (where they have the Golden Globes ceremony) with Oscar winners and household names, it’s a combo of surreal and Oh Shit and they make for some funny poems and stories. Just don’t be stupid enough to agree to autograph your new book that comes out a year later with a piece taking some funny jabs and potshots a few Hollywood stereotypes at an unnamed but very obvious such party for the owner of the mansion you’re describing before he’s read it. Or any time. You find yourself in that position, you sign, say thanks and run like hell. Hahaha! We’ll see.

Posted in Poetry | Tagged: , , , , , , , , , , | 1 Comment »

An Intro to the Finnish Readers of Rendezvous’ssa re US Writer Scott C. Holstad, Circa 1993

Posted by Scott Holstad on October 13, 2021

When I started getting published in 1988-89, somehow — I no longer remember how — I came into contact with some Finnish writers, editors, publishers & magazines by at least 1990. At the time, Bukowski was very popular in Finland (& with me as well) & I’m afraid that like many, I emulated him just a tad too much for my first couple of years. But I started to branch out, set my own tone & feel, & develop my own reputation (never close to Bukowski’s, of course). In the meantime, I started getting published in small magazines in Finland, typically in English but sometimes in Finnish — which I didn’t read at the time. One editor really liked me, solicited stuff from me constantly, was a great guy & eventually asked if he could publish a small booklet of my poems, which kind of blew my mind (as it would be my first international book; I had already had something published in the US). My first poetry collection came out in the Spring 1991. I agreed to Jounni’s request & my 2nd collection, Industrial Madness, came out in December 1991. Other editors & magazines started soliciting work from me, I got to know quite a few good people over there & elsewhere in other countries that would strongly support me for years, such as Belgium, the UK, Canada, Australia, Germany, etc., & I started working with some Finnish friends & colleagues in L.A., where I was living at the time. (This helped me realize I wanted to move to Finland.) That first magazine, & the publishing company, was named Sivullinen. Published me a lot. But soon Sivullinen was joined by Sieto Kukka, Solinar, Talvipaivanseisaus & others. I also started getting fan mail. Now as strange it must seem to those of you who never knew me or heard of me as a writer, I actually did go through a 15+/- year period of massive productivity & was sometimes referred to as the most prolific man in the world at the time! (“Man” because no one could beat the late Lyn Lifshin, though I competed well for awhile. “Queen of the Small Press?” How many hundreds of books, many thousands of magazines? Every single literary one I ever saw, it often seemed like. But I was the male Lifshin “Lite,” so had some standing in that literary world.) So I started receiving fan mail from all over the world. And lots of requests, solicitations, offers to publish my books, & the occasional bra in a package from some sweet but delusional girl in a few different places. I had been getting published with Buk in many of the same mags since 1990, started corresponding with him then, would later go over to his house in San Pedro when I moved to Long Beach and he was nice enough to sign a few books for/to me, as well as a Bukowski t-shirt. This made me seem cooler to those that didn’t realize I wasn’t worth shit compared to the big boys. Nonetheless, Buk and I went from being published in a lot of the same magazines (with Gerry Locklin) to being put on the cover of a Finnish magazine, the name of which I no longer recall, which made it appear that we were standing side by side when in fact, it was just a slick Photoshop job of getting a photo of each of us to look, oh, like we were actually literally beside each other. But in a sense, we were at that moment. And even better, the cover screamed “Bukowski and Holstad!” Awesome. I actually don’t know why I was THAT excited because as the former editor of Caffeine magazine noted, for much of the 1990s, Caffeine was literally the biggest poetry magazine in America and since I started out with Rob in issue 1 and since he wanted to start off with a bang, among those he published were Ginsberg and Bukowski. On the cover. With me. And Buk and I appeared on many future covers of Caffeine and of some various other publications while he was still alive, but I’m not actually trying to brag so much as simply describe what it was like back then.

Which brings me to this collage I made this morning. And I do apologize for the state of the little article on the left. It’s barely readable, but I ran across it recently, hadn’t seen it in years/decades and couldn’t contain my enthusiasm, because it’s been a long time. So this little barely readable article is obviously in Finnish and it’s by the editor of what was a new-to-me Finnish magazine that would go on to publish me often: Rendezvous’ssa, or shortened in English, Rendezvous, It’s a little Introduction about me to the magazine’s readers. Appeared around the beginning of 1993. Since I was once so active in Finland (not only in writing/publishing, but in business as well, in other areas), I had various Finnish friends & colleagues & a couple would translate things like this, or longer, for me, but that was a long time ago & even though I learned to read & speak several languages, I’m beyond rusty now. And I no longer have access to translator friends. I can recall the person who translated this for me back in ’94, but I lost whatever the content was many years ago, so while I generally remembered what this said, I wanted to be able to read it fairly accurately again, so I decided to make an attempt to translate it myself. Which I did. Despite being rusty by many years. But with the admission that I had to refer to some sources a few times, the two more prominent being Google Translate & Translate.com. I frankly felt neither of them (or any others) did a perfect job & a couple of clauses virtually contradicted each other, so I basically just loosely translated it as reasonably accurately as I felt I could/should & the primary reason it may appear to a Fin to not be perfectly accurate is likely because of grammatical differences in the two languages, such as subject/object placement, etc. I moved a few things around but didn’t consciously try to add or eliminate anything of note. You’ll notice there were two or three words that I simply could not figure out, even within the context, so I guessed as best I could. I actually have hundreds of Finnish contacts and connections these days, many of them in the FDF, so if any of them were to see this & wish to correct me, improve this or comment, I’m open. So here’s my little goofy collage, which will mean little to most, but brings back good memories for me. Cheers!

Finnish introduction of US writer Scott C. Holstad to the readers of Rendezvous’ssa, followed by an English translation of my own

Posted in Publishing, Writing | Tagged: , , , , , , , , | 1 Comment »

Last Issue of RRR

Posted by Scott Holstad on March 20, 2016

It’s the first day of spring and that means the Spring 2016 issue of Ray’s Road Review has been published. Please feel free to drop by and read some fiction, nonfiction, and poetry. Additionally, we’re going on indefinite hiatus, which makes us a bit sad. My severely poor health makes it no longer possible for me to hold down my poetry editor duties and Gretchen and Chris are going to pursue their own things for the time being. At some point in the future, we hope to come back and start back up, but that’s probably a ways down the road. I feel proud to have been a part of something that has become such an excellent literary journal and I’d like to thank Chris for giving me the opportunity and Gretchen for being a big part of it.

Posted in Publishing | Tagged: , , , , , , , , | 2 Comments »

New Ray’s Road Review

Posted by Scott Holstad on September 23, 2015

I’m pleased to announce the publication of the Fall 2015 issue of Ray’s Road Review. It has plenty of new fiction, nonfiction, poetry, and photography. Feel free to check it out at http://raysroadreview.com.

Since I’m the poetry editor, I may as well plug the poets. They are Ruth Z. Deming, Ernest Williamson, R.T. Castleberry, Ross Knapp, Michael H. Brownstein, and Lowell Jaeger. There’s also a book review. It’s a pretty good group of poets representing wide styles of poetry with a variety of subjects. If you enjoy contemporary poetry, check it out.

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Submission Guidelines

Posted by Scott Holstad on July 26, 2015

Why don’t so many people read or adhere to magazine submission guidelines? This is the eternal mystery for me. As a magazine poetry editor, I have published a set of submission guidelines that I expect people to follow when submitting. I don’t think it’s too much to ask. When you’re a writer submitting to a magazine, presumably you’re putting yourself and your work out there as a professional to be taken seriously, not as a schmuck. You don’t submit whatever you want however you want. Every publication has guidelines. One of the first things you learn when writing and beginning publishing is to read and follow guidelines. It’s just common sense. One of the easiest ways to make sure your work doesn’t get read is to not go by the guidelines. One of the easiest ways to make sure your work does get read is to follow the guidelines. Simple.

Editors set up guidelines to streamline things and make their jobs a little easier. They get deluged with submissions. Sometimes it’s simply overwhelming. If everyone submitting can stick to the same format, it really helps. But if people are submitting all sorts of ways, it can really throw you off. It also helps to level the playing field. If everyone follows the same guidelines, presumably there won’t be anyone getting preferential treatment. That’s not always the case, but it helps.

My guidelines are a little strict, but certainly not as bad as many magazines I’ve submitted to over the years. More lenient than many even. And my response time is better than average. One of the things that has mystified me, however, is how many poetry submissions our nonfiction editor gets. I mean, what the hell? Why? Our fiction editor never gets any. I, as the poetry editor, get a ton. But our nonfiction editor gets quite a few and forwards them to me. And you know what? They ALWAYS suck! Always. They’re horrible. It’s like sixth grade poetry. And they obviously haven’t read the guidelines, which state to email the poetry submissions to the poetry editor, giving my email address. So, they’re not to be taken seriously, since they don’t take their own submission seriously. And I’ve taken to trashing them. I used to read over them and consider them. And respond. But at the beginning of the year, I grew tired of the idiocy and posted a post on the website telling people this practice will no longer be tolerated and any poetry submission sent to the wrong editor will simply be deleted unread. And still they come in. Dolts! What the hell are they thinking? Who emails poetry submissions to nonfiction editors? I would never think of doing that. That’s just damned stupid. In fact, when I was heavily submitting, I tried hard to find out the name of the poetry editor and mailed my submission to him or her by name. The pros who send me submissions read over our masthead on the website and often do that to me. You can tell who the pros are by their submissions. There’s a reason why they have the good credits. They write better poems and they follow submission guidelines. Simple.

If any of my readers can shed some light on why anyone would submit their poetry submissions to the nonfiction editor, I’d love to hear it. Thanks.

Posted in Publishing | Tagged: , , , , , , , , | 4 Comments »

New RRR Out!

Posted by Scott Holstad on June 21, 2015

Since it’s the first day of summer, I’d like to announce the publication of the Summer 2015 issue of Ray’s Road Review. Please read and enjoy.

Since I’m the poetry editor, I’d like to highlight the poets. They include Susan C. Waters, Bill Abbott, Ivan Jenson, Grant Mason, Mitchell Grabois, Michelle Askin, and Erren Kelly. Additionally, there are two books reviews for books by Frederick Pollack and Dimitris Lyacos. I hope you like it all.

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