I'd been told I would love this book, I guess because I’ve had some “horror poetry” books published over the years. I do like the themes, tone, morbid world view, but that doesn’t make this guy a good writer nor this poetry remotely good, professional or successful in accomplishing what the author appears to be attempting. It fails, but is salvageable. Read to discover one area Ligotti falters in while successful authors with some similarities are mentioned as differentiations that could inspire Liigotti to up his game, improve his writing and hence his poetry and become more effective at what he does without losing "his voice."
Naming. Power. Writing. Power. Naming is such a buzz phrase these days. Current hot topic, especially with the feminists. Because it's true power. For instance, I am writing a story. Even now, as we speak. Even now, as you read this. I will write a character into the text. I will name him. What? I'm not sure yet. But I will create him and he will owe his very existence to me. Pretty God‑like, don't you think? Power. Naming. I'm a writer. Or at least I think I am. Well, I speak as a writer.