While I have been a professional writer for 35+ years & while I’ve been heavily published in print & later the Internet & while my work has appeared online in a number of formats & genres, I have never — to the best of my memory — personally posted any of my creative writing & certainly never any fiction. Until now. Why now? No clue. I just always liked this piece I wrote over two decades ago & a couple of editors did too, resulting in a decent paycheck that beat the hell out of poetry or academic publishing!
I’ve largely been invested in postmodern work throughout my life, whether literature, art, theory, etc., & at this particular time in my life, I was engrossed in a certain sub-genre of postmodern literature called metafiction — most likely a fad, but some good, well known authors were known for that type of work, such as Martin Amis. Additionally, it influenced other forms of writing, so many in the poetry field who write or study L=A=N=G=U=A=G=E poetry may attribute its movement & success to metafiction’s influence. Or not.
In any event, I spent a number of years engrossed in this & related movements while also being force fed (pompous) postmodern (faddish) theorists such as Foucault, Lyotard, Barthes, Lacan, Kristeva, Jameson & of course Derrida (We can thank Derrida for deconstruction, its overuse in grad schools & misuse among the media & general population.) Postmodern LIT was different for me though, at least some of it as opposed to the nearly exclusively French theorists (I can’t being myself to use the word “philosophers,” & some were other “professionals” as well, such as Lacan, etc.). (An aside on these pompous blowhards. I thought they were morons when first exposed to them & the more I read, the more I felt this. Frauds using grandiose terminology, concocted concepts & misused if not misunderstood ventures into other areas not their own (the hard sciences?), mixing & matching, all in a seeming effort to both impress & intimidate — especially cowering grad students. Well, a couple of badass physicists seem to agree and they wrote a book called Fashionable Nonsense: Postmodern Intellectuals’ Abuse of Science & it’s awesome! Alan Sokal & Jean Bricmont go even further than I would have in trashing these idiots, in calling their bluff, in correcting their absolutely attrocious butchering of physics & the hard sciences, if not other areas, in which they prove most of these French postmodern “geniuses” have no damn clue how to spell “quantum,” let alone “math,” they’re so stupid. They laugh at them & on behalf of their colleagues in the sciences as well & call them out, making them look like fools in one spoof so unbelievably stunning & brilliant that when one reads of it early in the book & sees proof of the plain idiocy amongst the cultural faux intellectuals & then goes on to read example after example of named, specific “demi-gods” spouting BS that, in some cases, is literally rubbish, dead wrong, proof of their insipidness. For others who wonder at the spectacle of such apparent twits gaining their reputations because they truly deserve them, this book will provide the truth with humorous sarcasm while putting the majority of them in their place — which is nowhere close to where “The Academy” has placed them!)
In any event, I’ve long enjoyed, been challenged by, amused, disturbed, impressed, etc., at what so many postmodern writers have done. I’m not foolish enough to state that these are the greatest writers, this the greatest genre. I’m just saying I dig it! And the creative opportunities seem endless so that one can go anywhere from simple “rebel” nonfiction masquerading as fiction (Winterson’s Oranges Are Not The Only Fruit — anti-religion) to the infamous Naked Lunch & yet even far beyond that as well. Some writers I’ve especially enjoyed include Vonnegut, Kosinski, Rhys, Acker, Doctorow, Burroughs & many more. While meandering through tons of books & authors, I discovered metafiction, which seemed to be a rising movement with a lot of promise, not for everyone as you’ll see, but utilizing various plot devices one can trace directly to a number of special films over the past few decades that were not adaptations of these novels, but were clearly influenced by them. As I’ve written a lot over the years, sometimes I like to experiment in new things, new areas, not because I plan to move in that direction, but just as a challenge, just for fun. So it was that I wrote several pieces of short fiction during the mid 1990s that were based upon & maybe even designed to be metafictional & while possibly three stand out in my mind, this one is the only one I think really came close to meeting that mark. And as I said, apparently I wasn’t alone in thinking that & it remains possibly my favorite piece of fiction I wrote, certainly so in writing it. I never claim my stuff is great; I’ve always claimed to outwork & outproduce virtually anyone else, which turned out to be true for some 15+ years I believe, as do some others in a position to make that judgment. So I didn’t intend to write a “Forward” or anything at all, but to simply put the story down & let people read it. But most people I’ve met haven’t read & thus wouldn’t understand the context of a metafictional work & while it’s not necessary in order to read any, because this is not representative of what I do & have done, I reconsidered & decided to preface the piece with a some info so anyone reading it might have a clue as to why the author apparently doesn’t.
EXITS
Hi! I am a writer, or at least I pretend to be. I think I am, therefore I am. Yes, I write poetry, fiction, nonfiction ‑you name it, I write it. Of course, if I wanted to really make money, I’d be writing kiddie lit, or maybe porn. Yeah…porn, that’s it….
Anyway, my name is Steve Universe. I know, I know, I get nailed for the name all the time. Actually, since I’m the author of this story, I suppose I could go by any name. Naming is power, you know. That’s what they say at least. My parents exhausted universal power in first creating me, and then in naming me. They created for me an identity, whether I wanted one or not.
Naming. Power. Writing. Power. Naming is such a buzz phrase these days. Current hot topic, especially with the feminists. Because it’s true power. For instance, I am writing a story. Even now, as we speak. Even now, as you read this. I will write a character into the text. I will name him. What? I’m not sure yet. But I will create him and he will owe his very existence to me. Pretty God‑like, don’t you think? Power. Naming. I’m a writer. Or at least I think I am. Well, I speak as a writer.
My author’s name, evidently, is Scott Holstad. (Who would have picked that name?) He claims to be a writer (but then, don’t we all?). I mean, who the hell has ever heard of Scott Holstad? If I’m destined to be a measly character in someone’s story, why the hell couldn’t I get Updike or Vonnegut? Hell, even Mailer or somebody like that? Somebody known? Someone who matters?
Well, this Holstad character seems to be the asshole who gave me my name, at least that’s what he claims. Steve Universe. He seems to find humor in it. Play on words, that sort of shit. Universal. University. Mr. Universe. Universe. I don’t call that funny. He’d never make a living as a comic. And Steve. Pretty boring I’d say. Why not something a little more exotic? God knows, most writers do seem to have somewhat boring names. Robert, John, Walter, Steven. Well, I’m a writer; I speak as a writer. I would name my character Fabio…yeah, that’s it. Exotic. Romantic. Steve. That’s so…universal! I mean, I could be anybody….
…
Hi! I’m THE writer, or at least I pretend to be. The Government says I am, therefore I am. They give me these little numbers and I exist. Truly. I kid you not. I know it’s amazing, and I sometimes doubt it myself, but just try dodging your taxes sometime and see if you don’t exist!
Anyway, I’m the creator of Steve Universe. I know, I know call me a narcissist (and you won’t be the only one), but deep down we’re all ego maniacs. It’s that God Complex.
Well, Steve’s been railing away so I have decided to just write him out of the text. That’s right, erase him. Just write him out. Easy as pie.
There. I’ve done it. Steve Universe no longer exists. And it was easy to do, like I said. They say we are all capable of creation and that may be true but, God – are we ever capable of destruction! Total annihilation, say I!
We can erase, Reconstruct, abolish, eliminate, terminate, DESTROY, with the greatest of ease. Oh, and we writers are so proficient at it. Comes with the territory I guess.
Actually, I’ve been thinking about something new lately. New, that is, for me. I speak to you as a writer, therefore I can say this. I’m thinking of writing myself out of the text. That’s right, textual suicide. Innovative, eh? I hate to admit this, but Steve was right about one thing, at least. I’m not the best-known writer. Oh, I have my share of groupies and I certainly appreciate them. They’re devoted. But, I’m not exactly a household name either. Not that I’m ambitious. Not that I’m a narcissist. I speak as a writer, remember?
Look, what better way to achieve notoriety? Textual suicide. I will be no more. (And I know I am now. I know I exist because I have numbers proudly given to me by my Government.) I will be no more. Oh, I know I won’t be around to enjoy the accolades, but what the hell?
And those saps out there always fall for the suicides. My God, what a bloody operation! I’ve always wanted in on the scam. The papers, TV, TV, TV, TV, mags, papers, bloodsucking TV. We’re the fastfoodfastentertainmentfast sexfasttloodthirstyviolent generation by God, and we’re suckers for that shit!
Give me my suicide!
Give me my constitutionally guaranteed suicide!
Oh, they’ll just eat it up. And Steve? Well, he’s been written out of the text, eh? Doesn’t really matter anymore, does he? He’s Steve Universe. Was Steve Universe. Universal. University. Mr. Universe. Steve Academia. Boring Steve.
Steve, Steve I’m so
bereaved I can’t conceive
Why we must leave.
Oh, but I digress. Again. But I speak as a writer. I’m allowed occasional digressions. Writers, dammit! Never seem to get to the friggin point. I mean, well, what is the point? The point’s the point son. The end’s the point. Cause we exist you know. I, Scott C. Holstad, who speaks to you as a writer (and as a human? maybe?), I exist you know. This I know. For the Government tells me so. It gets so slow. Sometimes gotta go. Breakdown. Discourse. Breakdown. The point?
Oh yeah, the Point. I guess it’s the End of the stick you put your hot dog on. Or maybe your marshmallow. The Point…the Point.
The Point, oh yeah. Well, to get on with my story, I think I’m going to write a new character into the text. To be my narrator, of course. To carry on the tradition…the tradition…the Point.
Actually, to be perfectly honest with you, sometimes I feel like I’m already being erased from the text. It’s like someone has pushed the Pause button, but it turns into the Erase button. I don’t know how to explain it. I don’t know how to…communicate…it. I don’t know….
Well, this is very strange indeed. It feels like someone’s been tampering with me, with me, with me, with me…me — …me…me…me with…me with…me with tampering… NO! That’s Martin Amis you dolt! We’re not going backwards in this story. We’re being Fucking erased!
As I said, I speak to you as a writer. And I am the creator of this mess, so I decide what’s going on. Right? I am going to ever so conveniently create a new character before ever so conveniently obliterating myself from this increasingly dreary story. Textual Suicide. Oooh, how ’bout Cyber Textual Suicide? Yeah, they love that Cyber shit. It’s so in.
There. See? I’ve created yet again. A new category. A new ending. A new genre which they’ll be beating down the damn doors for. Cyber Textual Suicide. Only a matter of time now before it’s in the Canon. Oh baby, they’ll be asking GRE questions about it. I’m drooling now just thinking about it! And I owe it all to me. Me! Not Steve Universe. Not Scott Holstad. I mean, Wait! Yes, Scott Holstad. That is me. I think. Wait, hold on. Let me check my ID card. Oh yes, right here. Scott C. Holstad. In black and white. Very official looking. See, the Government says I exist. Therefore I am. I am the Creator of this story. Cause the Government says I can. I am the Creator….
And people laughed when he claimed that God was dead. God’s not dead you fools. I am God! The Creator. Yes, of this story. And the Government says I exist so it must be so. Right? And if I want to obliterate myself (Wait. Here it comes…a rousing, orgasmic cry of Cyber Textual Suicide!!!), from the text of course, I can do it! Cause I’m the Destroyer. I mean Creator. I mean God. Oh, what’s the difference?
And this new character…what should we name it?
It. What gender first of all? Or does that matter? We’ve all read Virginia Woolf after all. And we did see “The Crying Game.”
Well, ok, but what color hair? Eyes? Teeth? Teeth? OK, I tried to pull one over on you. Or is it put one? Or does it matter? Whatever the case, I am the writer because I am the God.
OK. Height? Weight? Genitals? Oh, no need to go Victorian on me. Really! Boots or balls, what’ll it be? Come on, come on, we don’t have all day here.
You see? Do you see why I am writing this and you’re not? My God, you’re slower than horse shit! And indecisive. What a match. Readers dammit. What the hell do Fish and Iser know anyway? I mean, have they ever actually tried to work with a reader? Ain’t that easy, is it? No sirree.
I feel decidedly better now. Sort of. Just thinking about what I’m about to create makes me go positively gushy from head to toe. I’m talking thrills a minute. Because I’m the Creator. The Government says so. And it should…. Hold on, what’s this? But I haven’t decided to go yet. I’m the only person who can erase myself from the text. Hang it all, stop that! What is going on here? I speak to you as a writer because i am the creator exist you know the government tells me so this i know you know i am god it’s so I’m the master of this story but everything’s getting denser is that really a word werd weird bsmck shit now i know that’s not a word dammit i need my words to create i need my language my name my power my god….
…
Hi! Sorry about all that gibberish back there. You shouldn’t really have been forced to endure it. Feel free to register a complaint with the proper authorities if you must. But on behalf of the author and this publication, I would like to extend a formal apology.
Those Post-Modern writers think they can get away with anything. Pretentious fucks! Oops, sorry. It’s just that they get feisty and break loose every now and then. But don’t worry. We take care of ’em. We put ’em back where they belong.
Now. Where were we? Oh yes.
Hi! I am the writer. I know I am a writer and I know I am the writer because I speak to you as a writer….
XXX
Scott C. Holstad
© 1995 Scott C. Holstad
#metafiction
I enjoyed that immensely, probably because I relate to a lot of the chaotic thought. Thank you for sharing.
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Thank you! You’re very kind (despite your chaotic thought. Heh.). I would think you’ve encountered any number of postmodern writers, if for no other reason than it’s become almost an umbrella term to describe half the damn contemporary writers out there writing less than old, traditional pieces. Becket & his Godot is largely considered to be the “first,” so it would make sense that they’d soon lump Vonnegut & William Burroughs in there too, But AS Byatt? (Although Possession is one of my favorite books.) Jean Rhys (although I also loved Wide Sargasso Sea), etc.,? Hard to really know, if you don’t know. In a way, that last statement sounded both foolishly contradictory yet ironically postmodern! Anyway, I’m sure you’ve read some postmodern writers; it’s nearly impossible to not have done so. I’m curious though if this was your first experience with “official” metafiction or you’re a fan already of a Martin Amis or Kathy Acker, Dililo, etc? Trust me, it’s not for everyone and if you enjoy facing withering criticism, I’d break into this immediately. The formalists, modernists, etc., will give you a public ass kicking that’ll sting for a long time. However, much like Burroughs’ later “cut up” work he was most famous for (Naked Lunch, Interzone, etc.), you can trace much of this stuff back to Tristan Tzara & the Dadaists — a reaction to & rejection of the early Modernists who dominated 20th century literature. So god forbid one experiments with different form, structure, concept, etc. The world is coming to an end! A couple of films I didn’t mention but alluded to that I think are good representatives of the movement would be Jacob’s Ladder & the excellent Stranger Than Fiction, starring Will Ferrell & Emma Thompson. They copied me since it came along far after this was written & published & it’s virtually identical in what it attempts & succeeds in doing. (Of course I’m joking about copying me. I’m sure they never heard of me.) Anyway, enough. Thanks very much & I’d be interested in any response if so inclined.
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